Menu

varnish a painting

Re-varnishing a painting

varnish a painting

A painting is usually re-varnished during a restoration. Especially when the conservator and owner have decided to remove a layer of varnish during treatment. Varnishing a painting can be done in different ways. Of course it can be don using avarnish brush. But it is also possible with a spray. And even with a dot of silk with varnish in it. The methode and choice of layers is different every time for every painting.

varnish a painting
varnish a painting with a brush

Why an new layer of varnish?

Unfortunately, layers of natural resin varnish yellow. Also, some synthetic become milky. Some, like damar, are sensitive to moisture. A pity because such a varnish distorts the colours of the painting. And the composition also loses its strength and expression. This old layer of varnish can be removed during restorationBut after removal, the performance looks matte and unsaturated. The contrasts have disappeared. The colours are dull. But a new layer of varnish will saturate the colours again. It will also revive the composition and performance.

Taken in account that an original varnish layer is part of the artistic performance. And sometimes its data and value is more important than the expression of the painting. Therefor it the conservator can propose to keep it. An examination of the objects befor treatment can reveal this.

varnish a painting
after removal of the ‘not original’ varnish

Which varnish resin is chosen?

The Marjan de Visser Restoration Studio has a large selection of varnishes for re-varnishing a painting. All varnishes are self-made. As a result, we know exactly what result can be achieved. The choice of varnish is partly determined by the restoration process. Even more important is the desired appearance of the painting. But the wishes of the owner also count. In addition to natural resins such as damar and mastic, there is also a choice of synthetic resins.

Knowledge of varnishes and painting varnishes

The knowledge of varnishes and varnishes has been built up through years of experience and workshops on varnish by Jill Whitten and Robert Proctor.

varnish a painting
Jill Whitten explains the properties of various synthetic varnishes

Apply a layer with a brush

★Contact us

★ I like to share my knowledge of paintings and love for conservation with colleagues and clients ★

Share on social media

Table Of contents

Follow Us

Last post

Hendrick ten Oever

Hendrick ten Oever

A quest in Groningen This is the first part about the discovery of a painting by Hendrick ten Oever and Gratia Tjarda van Starkenborgh Marjan de Visser and Marya Albrecht restored a painting on behalf of Landgoed Verhildersum . The restoration was made

Read more »

Retouching the ceiling painting

IIntroduction  Retouching the ceiling painting is the last part of this project described in four blogs.The owner who bought a beautiful mansion from 1860 in The Hague, felt directly responsible for preserving this ceiling piece in the garden room. The

Read more »

Lining a ceiling painting

Start of project Lining a ceiling painting after an old wax resin lining has been removed . The owner who bought a beautiful mansion from 1860 in The Hague , felt directly responsible for preserving this ceiling piece in the garden room. The

Read more »

Cleaning ceiling painting

Introduction  What preceded cleaning the ceiling painting: The start of the restoration project The owner who bought a beautiful mansion from 1860 in The Hague, felt directly responsible for preserving this ceiling piece in the garden room. The work had

Read more »

Virgiel’s painting

The painting at Virgiel La Pasqua di San Marco The painting “La Pasqua de San Marco” from 1935 by professor Huib Luns (1881 – 1942) shows a religious scene of the Easter feast of San Marco. This large painting has

Read more »