schilderij restauratie – schouwstuk


Deze galerij bevat 9 foto's.

restauratie van een schouwstuk door de 18e eeuwse Groningse kunstenaar Jan Abel Wassenbergh Lees verder

schilderij schoonmaken en reinigen


Deze galerij bevat 1 foto.

Schilderij schoonmaken en reinigen van oppervlaktevuil Dit detail van een groot schilderij waar de jonge Prinses Wilhelmina -ten voeten uit- op staat afgebeeld leek niet zo vuil. Het zag er wel mat en dof uit. Pas bij schilderij schoonmaken en reinigen, … Lees verder

Experimenting with Mist-lining

Maggie and Marjan tested an alternative for lining damaged canvases called “Mist-lining”. This picture shows our low-pressure vacuum set-up. We tested different types of damaged and prepared textiles (colored strips in the photo) on a variety of lining canvases. Mist-lining is a great option–it was a very interesting and successful experiment!

Strip Lining Canvas

Strip Lining Canvas

strip lining canvas

Why a strip lining?

Maggie Barkovic is preparing canvas for strip lining. When canvas ages, gets damaged, and/or becomes brittle, it may require a support of new canvas. This type of damage and aging usually occurs on the sides of the painting (the tacking margins) where the canvas is nailed or stapled to the frame. The tension of the canvas is the most along the edges. And fore most in the corners.

Cold lined strips

Strips of new canvas must be measured and cut to cover the previous damage. The strips are prepared with a thermoplastic polymer adhesive. Maggie experimented with Lascaux, Plextol, and Mowilith and decided on Plextol. After the strips are prepared, they are applied to the backside of the original canvas with an iron. A nice example of striplinging on a canvas painting.

Warm lined strips

Besides the cold attached adhesive we have the option for a warm attaced adhesive. Our choises are always led by the possibilities the painting has. And of course in perspective of the whole treatment.

strip lining

strip-linging uitgevoerd met BEVA film